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Written by Anna
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Saturday, 26 June 2010 13:39 |
A story about the love triangle between two players in a world chess championship and the woman who manages one but falls in love with the other seems a very strange thing to set a musical around. I was unfamiliar with the show before I saw the Festival Players’ production and it was obvious from the outset that one had to thoroughly concentrate on the words of the songs in order to be able to follow the story.
The staging of the opening number (telling the legend of how chess as a board game was allegedly invented) and the chorus movement around the stage throughout was outstanding. The excellence of the singing is without question with lots of good chorus numbers — I particularly enjoyed the Civil Servants song.
Much thought had gone into the little extra touches such as with the merchandising and paparazzi scenes, and my felicitations to the chorus who had to wear coats, scarves, jumpers etc. on what must have been one of the hottest nights of the year.
The four main characters played by WARREN CLARK (Alexander Molokov), DAVID SMITHET (Anatoly Sergievsky), DAVINIA DENHAM (Florence Vassy) and STEVE NICHOLSON (Frederick Trumper) were all impressive, especially Miss Denham who had the lion’s share of the complex songs. All handled their challenging roles well and deserve all the accolades which come their way. Special mention must also be made of FRANCES WATSON who did a splendid job as The Arbiter, HARRIET GRAVES (Svetlana Sergievskaya) and CHAS BARCLAY (Walter).
The small but beautifully formed orchestra under the baton of BRIAN THOMAS was probably the best I have heard for a Festival Players show for some while and congratulations to them for meeting the challenges the, at times, intricate music. This show is extremely technical as it relies much on overhead cameras showing the chess board as the game ensues and the filming of press conferences in real time, which are relayed to television screens on stage. So—much could go wrong if the gremlins got in. The evening performance I saw was delayed by about 20 minutes because of technical problems. On enquiring afterwards it appears that the link between the stage manager’s desk and the lighting and sound box was not working. Many, many congratulations to Stage Managers Emma Coonan and Andrew Booker and lighting and sound men Edward Hopkins and Carl Bowles who, through a series of telephone messages and hand signals, ran the show seamlessly. Following on from their NODA award winning production of Sweeney Todd in 2009.
Festival Players have another success on their hands with Chess, which, as is becoming a habit, played to sell-out houses. Plans are afoot for a production of Mel Brooks and Thomas Meehan’s musical comedy The Producers for 2011— I can hardly wait.
Reviewed by Julie Petrucci (Combinations) |
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Last Updated on Saturday, 26 June 2010 13:42 |
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Written by Matt
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Sunday, 04 April 2010 08:42 |
MUSICAL DIRECTOR CLOCKS UP 50TH PRODUCTION Festival Players’ THE WORLD IN MUSICALS Reviewed by Julie Petrucci Brian (Tommy) Thomas clocked up his 50th mFestival Players’ production by taking the show on a tour of Cambridge and the surrounding villages in February which proved a resounding success. The Concert Tour was coordinated by Warren Clark and Tommy and concerts were performed at Godmanchester Primary School, Foxton Village Hall, The Vine School, Cambourne and St Faith's School, Cambridge. The programme featured a range of solos, duets and ensemble numbers from musicals, loosely based around the theme of The World in Musicals. Very often with this type of programme we get the old tried and tested ultra-popular numbers from shows. Many good show tunes don’t work well out of context but this programme was very cleverly put together. Each song/show was introduced by a narrator and the song set in context for us and this worked splendidly and the extra information given was interesting. Little scenes from the shows were re-enacted. I particularly enjoyed Well Did You Ever? Cell Block Tango, Kansas City, A Little Priest, We Can Do it, and The Song That Goes like This. The audience even got to participate with Master of the House. As one would expect we heard some superb soloists plus brilliant ensemble numbers. I can not, and should not, pick any one person out so I will say well done and congratulations to Angela Carr, Janice Chambers, Leas Chambers, Warren Clark, Davinia Denham, Rachel Duncan, Suzanne Emerson, Oliver Fisher, Matt Gregory, Connie Kam, Cat Nicol, Liz Simmonds, Anna Stanley, Kristian Turner, Leslie Wheeler and Roger Wood for giving us such a grand evening. I saw the concert at Cambourne where our enjoyment of this great show was enhanced by special guests The Rhythm of Life, Cambourne’s own ladies-only singing group. Formed just over a year ago, the ladies gave a stunning performance (particularly soloist Phillipa) so watch out for other dates they may have coming up. They are definitely worth seeing (and hearing). The Festival Players used their concert tour to raise money for charity and are pleased to announce the tour raised 475 for Red Balloon and 150 for the Vine School, Cambourne. This must have been a huge organisational undertaking. Congratulations to the organisers, singers, compilers of the excellent programme, musical director and all concerned with The World in Musicals.. As one member said to me when confirming the amounts raised “… with the monies raised, the positive feedback received and the celebration of Tommy's 50th production it was a win, win, win situation all round”. |
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Written by Anna
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Tuesday, 03 November 2009 13:17 |
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NODA Eastern Review by John Seaman FESTIVAL PLAYERS - SWEENEY TODD Director James Dawson Musical Director Brian Thomas ADC Theatre, Cambridge. 5th June 2009 I have often wondered what I would do or say if I was asked to revue a show that had no faults or weaknesses whatever. Cloud cuckoo land? No way! It happened to me on 5th June at the ADC Cambridge. Not my favourite show by any means – human pies are a definite discouragement – but this show had everything. Firstly the music under Brian Thomas’ baton, we were bound to have quality. The score requires the orchestra to back the performers for most of the time, and they were magnificent. The relatively simple set of stairways with a platform between them served the company well. They, entered, exited, and dressed the stage well at different levels with precise movements and perfect control by principals and chorus in the musical numbers. The costumes (Liz Millway) were just right and the company were very comfortable in them. Voice projection was very good. The Penguin Club were in charge of the set changes and performed with their customary efficiency. In the title role, Warren Clarke was very confident, and, together with the other male singing roles, gave us a musical treat. Warren’s development as a mass murderer, aided and abetted, of course, by Mrs Lovett (Cat Nicholl) was very realistic. His disposal of his victims on the high level platform by tipping them forward from the barber’s chair was very well done. The romantic element was provided by Joanna (Rachel Jarmy) and her sailor boyfriend Anthony (Simon Young). Len Packman as Judge Turpin and Suzanne Emerson as beggar Woman were excellent in their roles. Judging by the comments of the audience as we left the auditorium, most people agreed with my reactions to the show. |
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Last Updated on Tuesday, 03 November 2009 13:23 |
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Written by Administrator
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Friday, 03 April 2009 20:29 |
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A few memories of the sell-out show - all images copyright Lee Marshall...  

 
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Last Updated on Friday, 03 July 2009 20:37 |
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Written by Anna
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Monday, 01 December 2008 13:20 |
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Little Shop of Horrors Robinson Theatre, Hills Road Festival Players Dir: Suzanne Emerson The hairstyles were spot on, the accents wonderfully clichéd and the cast inspiringly enthusiastic. With these ingredients, Suzanne Emerson’s production of ‘Little Shop of Horrors’ could never go far wrong. The popular cult musical follows the fortunes of Seymour and his human-devouring, insatiably hungry, hip-hopping plant, Audrey II – ‘catchy name, I like it’. After acquiring this ‘strange and interesting’ plant, Seymour is catapulted to fame but the plant proves to be more than a little demanding and Seymour has to make some difficult choices. Since its release as a low-budget b-movie in the 1960s, ‘Little Shop of Horrors’ has gained a strong cult following. The score has so many well placed lines and such a plethora of catchy songs that the play can almost perform itself and is a gift to amateur theatricals everywhere. In this, the festival players’ version, Thomas O’Connor as Seymour strikes the right nervously nerdy note and Davinia Denham’s Audrey is pitched at just the right level of cliché. The three girls, Ronnette, Chiffon and Crystal (Lea Chambers, Rachel Bye and Melody White), provide polished and witty performances in their role as chorus and narrator and Mark Bak’s sadistic dentist, Orin, is pleasingly demonic and melodramatic. All the cast sing well, if a little tentatively at times and each actor, without exception, embraces the spirit of the bizarre musical. The stage belongs, however, to the plant. Emerson’s production sees the plant encroaching onto more and more of the set while Oliver Fisher (as the plant itself) sits enthroned in tendrils in the centre of a giant pot. Each time a character is devoured, Fisher’s plant contraption gives birth to a new shoot – with appropriately grotesque sounds effects. Fisher writhes, gestures and sings with gusto, clearly revelling in such a deliciously outrageous part. The performance had its weaknesses but few that weren’t attributable to first-night jitters, (sound balance, tentativeness, for example). In this production, Suzanne Emerson has created a light-hearted, competent and highly enjoyable amateur performance of a hilarious show. It may not live up to the original 1960s film, or the 1980s remake, but it is an enthusiastic and visually effective tribute to Charles B Griffiths’ work. This show is worth a trip – if only to catch a glimpse of the ‘mean green mother from outer space’ for yourself. Just remember: ‘DON’T FEED THE PLANTS!’ Lizzie Davis Recommended rating: 4 stars |
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Written by Anna
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Tuesday, 25 November 2008 13:49 |
The Robinson Theatre at Hills Road Sixth Form College is not a venue that one would think suitable for a show like The Little Shop of Horrors. Nevertheless this is where Festival Players chose to perform the show and it worked extremely well in the space, with a clever set using two-thirds of the acting area leaving room for the skilful ‘band’, led by Musical Director Andrew Taylor, to be in full view yet seemingly unobtrusive. The plot, as you probably know, revolves around Seymour, a nerdy, timid employee in Mushnik's, a skid row flower shop, who takes great pains to care for a hybrid plant of his own creation, which he names Audrey II, as his heart belongs to his work colleague Audrey whose masochistic bent keeps her in emotional bondage to Orin a sadistic laughing gas-addicted dentist. To bullying shop keeper Mushnik's delight, business picks up as the plant grows and draws attention from the paying public. But what price fame and fortune when Seymour discovers that the plant needs human blood to survive? Enter the odious Orin, every child's nightmare of a dentist -- he inhales the laughing gas himself before torturing his charges with a dull drill. That's not to mention the black eye he gives to his girlfriend Audrey -- which an oblivious Seymour mistakes for "nice, new eye makeup”. Seymour decides that if anyone deserves to be plant fodder it is Orin! And that is just the beginning of The Plant’s insatiable hunger for human blood. Colin Fish was marvellous as the bully Mushnik, particularly when he realises he needs Seymour as his plant causes business to bloom so he ‘adopts’ Seymour leading to the highly amusing song and dance "Mushnik and Son" Mark Bak as Orin threw himself into his role with both abandon and, seemingly, great enjoyment. His shared duet with Seymour "Now (It's Just the Gas)" in the dental surgery was absolutely macabre and probably gave some of the younger members of the audience bad dreams that night! Sporting a real life injury caused, I understand, by the people-eating plant at the dress rehearsal - but which was totally in keeping with the script: Davinia Denham was delightful as the cheap and flashy Audrey keeping her really irritating voice going throughout. Her delightful humourous yet plaintive duet with Seymour in "Suddenly, Seymour" was, for me, a highlight of the show. Thomas O’Connor was well cast and did a tremendous job of Seymour. Maintaining his focus throughout. He was the perfect foil for Mushnik, created a wonderfully bumbling relationship with Audrey and was extremely funny when endeavouring to shoot Orin. The leads were skilfully backed by Lea Chambers, Rachel Bye, and Melody White as Ronnette, Crystal and Chiffon -- three girls who help the story along by breaking into song at appropriate intervals. Excellent singers all. Great to listen to and a pleasure to watch. Completing the ‘human’ cast was Jenni French playing a variety of roles in a variety of costumes all totally believable. Of course, the scene-stealer is naturally The Plant. Here I got a shock. Director Sue Emerson decided to play down the comedic and go for B movie horror. I was expecting the usual enormous puppet and what did I get? Oliver Fisher as a real man-eating plant. He was truly scary. Although rooted to the spot he used his voice and upper body to bring to life Seymour’s hybrid plant. An excellent performance. This was a relatively small cast by Festival Players’ standards, but they weren’t small on talent by any means. The acting and singing were excellent. This review would not be complete without complimenting Mike Ruddin, Rob Humphreys and the other members of the Penguin Club who created such a grotesquely horrible plant. Congratulations to all involved on a great show. |
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Last Updated on Tuesday, 25 November 2008 13:57 |
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